Wednesday, November 30, 2011


We're proud to announce our nomination for Best Visual Effects at the upcoming AFI's for Showtime's Cloudstreet.

This highly visual production featured over 200 shots covering just about every technique in the book from CG aircraft, trains, kangaroos, jumping fish, talking pigs, flipping coins to surreal dream-like sequences like rowing through stars and fields of wheat. With such a wide range of effects and a tight schedule the team at Chroma worked tirelessly to deliver the level of work that a tale like Cloudstreet deserves - so a big shout out to compositor Stuart Elith and CG artists Harsh Borah and Rob Dowling.

It was an honour to be involved with such a great Australian story and a pleasure to see everyone's hard work across the production being recognised by audiences and industry alike.

Cloudstreet picked up 7 nominations all together including: Best MiniSeries, Best Screenplay, Best Lead Actress, Best Supporting Actor, Best Supporting Actress, Best Young Actor and Best Visual Effects.

I'd like to personally thank Matt Saville and Screentime for their commitment, trust and support throughout the project and wish all nominees the best of luck next year!

Check out the trailer here and some VFX breakdowns here.

Monday, November 28, 2011


Screentime's dynamic telling of the 1980's bikie gangs involved in the Milperra Massacre is coming soon to Ten in a new epic 6-part miniseries, called Brothers In Arms.

We were engaged to design and produce the opening titles, branding and visual effects for the show.
For the titles we chose to go for a western/frontier-style with minimal type treatment, in keeping with the raw, honest approach to the story itself, comprised mostly of stark, compelling imagery rather than footage of cast or episodes.

Eveything from the image selection, edit, typography and grading were kept very simple allowing the catchy title track (Mark Lizotte), powerful images and photography tell the story, with minimal 'screen furniture' and a bleached, parched grade that sits sitting somewhere between faded Super8's and photos from the 70's/80's. Three variations were produced for use across the series.

Check out the opening titles here

In addition to broadcast design, we also produced several VFX shots for the show including digital removals, augmentations and incendiary effects.

Look out for it on Ten later this year.

Tuesday, November 15, 2011


Chroma is returning once again to present at the University of Melbourne's 'Summer Film School 2012'.

Focusing on the changing role of digital effects in designing, producing, writing and directing contemporary television drama. The course covers the entire range of digital effect techniques and their relationship with each department from production through to post - with an aim to enlighten, excite and energise the next wave of Australian production.

Click here for more info (PDF link).

Tuesday, November 1, 2011


Tim Dean's short 'The Applicant' has made it through as a finalist at TropFest2011.

Starring Nicolas Bell and Peter Rowsthorn and featuring music by Yuri Worontshak, the film is about a job interview with a difference.... It was a big year for TropFest, with over 700 entries from all over the world competing to get through and we are proud to see it get through to the finals.

I filled the role of co-producer alongside Tim Dean and Chris Corbert, with Chroma designing and producing the character animation and visual effects for the alien creature and the starship interior, in addition to grading duties. The short been officially selected for ShortsFest in Aspen and the 2012 St.Kilda Film Festival.

Check out the film here!